I purchased a rigid heddle loom at festival a few years ago and got a very quick crash course in how to thread the reed, but not how to actually tie the warp onto the loom. It was also warped up with linen which I have since learnt is not the best fibre for a beginner to work with. And so it has sat on a shelf ever since with the vague promise of "I really should learn how to do that properly". That day is today!
(well actually it was last week, but i'm telling you about it today)
What my neglected loom looked like when I got it down |
So I cut off all the weaving that was on the loom, salvaging the linen warp just in case I want to use it one day. There is a really cool way you can make a chain out of long warp threads which keeps it neat and tangle free which I saw here (it's part 5, about half way through).
Once that was done I sat down to try and work out a pattern. I wanted to use the whole width of the reed just to see how wide a piece I can weave on my loom and so I counted the holes and slots - 240 threads in total. Then I thought, you know what? I really don't want to have to count 240 holes every time I start a new piece of weaving, so I grabbed a sharpie and numbered every tenth slot. I felt pretty clever.
Slots numbered on the reed |
Cushion weft pattern |
I had already found a great youtube guide showing how to warp up a rigid heddle loom
It's done by Ashford which is a NZ company that actually makes looms. I feel like they should know what they're talking about. So I grabbed the first skein of yarn and off I went!
Now those of you who know what you're doing will probably read that and go "oh no, she didn't did she?" It seems a little foolish in retrospect I'll admit. I just assumed that a skein of yarn would work the same way as a ball. I even held it over my arm so it wouldn't get tangled! Yet this is the mess I ended up with (actually this is after about two hours of untangling, and just before I had enough and went to bed bitterly disappointed).
Tangles |
Eventually I got it sorted and was able to finally start warping.
Half way through warping the green, using the knobs on the back of a dining room chair as a warping peg |
Green warp complete |
The Swift can be a lampshade (loosened, so that it spins) or a friendly pair of arms, or else google "makeshift swift" and see what you have that can stand in. A nostepinne is easier, it's really just a glorified stick. As long as it's smooth enough not to catch on the yarn. cardboard rolls from inside paper towels or similar work well, or a piece of dowel. Google/youtube for technique. Mine tend to turn out egg-shaped, it doesn't have to make a spherical ball or a cylindrical cake to work. Have fun, take your time, and don't pull on tanglesHah! Too late about the tangles.
*Google google google*
Most makeshift swifts seem to use a lazy susan as the base. No good for me because I don't have one.
*Google google google*
Ah hah!
I must have stumbled upon the most ingenious idea here involving a wine bottle and some old wire coathangers!
A fellow blogger's ingenious makeshift swift |
Makeshift yarn swift |
And for a nostepinne I borrowed a utensil from my daughters wooden kitchen set
Makeshift nostepinne |
I probably should have looked up a youtube video of how to wind a ball properly, but I didn't.
My first yarn ball! |
So then I was able to finish warping the grey sections. I bought some brown paper from officeworks to roll it on (apparently this is important to keep the tension right?), still following Kate from Ashfords instructions (see video above).
Warping complete (finally) |
*** Afterwards, I found this picture which uses two dining chairs to hold the skein while you wind. Probably would have been easier in the end. And now I have this giant coathanger device hanging around my lounge room because I have nowhere to put it.
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